Films tagged with: "aggression"

Poster for the 1997 remake of 12 Angry Men, showing all twelve jurors in a tense moment around a conference table in a dimly lit deliberation room. Below the scene are headshots of each juror in a grid, highlighting their diverse expressions and demographics. The title is displayed in bold serif font beneath the images.
12 Angry Men (1997)
Poster for 12 Angry Men showing a yellow background divided by a vertical knife, symbolizing tension and judgment. At the top, twelve men in white shirts argue intensely, representing the jury. The text reads, “LIFE IS IN THEIR HANDS — DEATH IS ON THEIR MINDS!” and “It explodes like 12 sticks of dynamite!” At the bottom is Henry Fonda’s face beside a courtroom sketch of the jury.
12 Angry Men (1957)
Poster for Crash featuring a dramatic close-up of a man (Michael Peña) mid-scream, holding a young girl tightly in a protective embrace. The image is blurred at the edges, evoking urgency, trauma, and emotion. The title “Crash” is written in a cracked, white font, and the tagline below reads: “Moving at the speed of life, we are bound to collide with each other.”
Crash (2004)
Poster for Fifty Shades of Grey featuring a black-and-white image of a man in a tailored suit, seen from the shoulders down. He grips a textured necktie suggestively in one hand. The tagline includes the release date “Valentine’s Day 2015,” reinforcing the romantic and erotic themes of the film. The overall tone is sleek, minimalist, and provocative.
Fifty Shades of Grey (2015)
Poster for Unsane featuring Claire Foy’s face layered with a translucent second image of herself, evoking confusion and psychological instability. The image is mirrored vertically, and the tagline “Is she or isn’t she?” reinforces the film’s theme of paranoia and unreliable perception. The text appears both right-side up and upside-down, heightening the sense of disorientation.
Unsane (2018)
Poster for The Rocky Horror Picture Show featuring Tim Curry in costume as Dr. Frank-N-Furter, reclining on oversized red lips against a black background. The film’s dripping red title font and the tagline “Give Yourself Over to Absolute Pleasure” evoke its bold, campy, and transgressive cult-classic style.
The Rocky Horror Picture Show (1975)
Poster for The Lighthouse, presented in stark black and white, featuring Willem Dafoe and Robert Pattinson in period sea captain uniforms, flanking a towering lighthouse with ominous seagulls circling overhead. The tagline “Keeping secrets are ye?” sets the eerie tone for this psychological thriller.
The Lighthouse (2019)
Poster for X-Men featuring a large metallic “X” with a glowing slit at the center, revealing silhouettes of the mutant team, led by Wolverine with claws extended. The tagline above reads, “Trust a few. Fear the rest,” capturing the film’s themes of secrecy, power, and prejudice.
X-Men (2000)
Poster for The Shining featuring a stark yellow background with black block text spelling the title. The word “THE” is stylized with a halftone image of a frightened face emerging from within the letters. Above it reads the tagline: “A masterpiece of modern horror.” The design evokes a sense of dread with minimalist boldness.
The Shining (1980)
Poster for Fight Club featuring Brad Pitt holding a bright pink bar of soap labeled “FIGHT CLUB” in bold letters, with Edward Norton smirking in the background. The tagline at the bottom reads “Mischief. Mayhem. Soap.” The gritty, high-contrast style reflects the film’s rebellious and psychological themes.
Fight Club (1999)
Poster for Scream featuring a black-and-white close-up of a woman’s wide, fearful eyes and a hand partially covering her face. The tagline reads, “Someone has taken their love of scary movies one step too far. Solving this mystery is going to be murder.” The cast names and title appear below in stark white against a dark background.
Scream (1996)
Poster for Red Dragon, featuring a massive, ominous close-up of Anthony Hopkins as Hannibal Lecter, his face half-lit in fiery tones. Below, Edward Norton walks down a shadowy corridor of brick archways. The tagline reads: “To understand the origin of evil, you must go back to the beginning.” Subtext describes it as “The first and most terrifying chapter in the Hannibal Lecter trilogy.”
Red Dragon (2002)