CinemaPsych Podcast

WHERE PSYCHOLOGY MEETS FILM

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Films tagged with: "Clinical Psychology"

Poster for Kinsey featuring a man (played by Liam Neeson) in a brown suit standing on a large printed sex survey. The words “Let’s talk about sex” appear above him, and the ground is covered with large, bold questions about sexual behavior, hinting at the groundbreaking nature of Alfred Kinsey’s research. The tagline and typography highlight the film’s focus on sexology and scientific inquiry into human sexuality.
Kinsey (2004)
Poster for Office Space with the tagline “Work sucks.” A man is completely covered in yellow sticky notes from head to toe, only his red patterned tie and brown briefcase visible. The sticky notes are scribbled with sarcastic office messages and reminders. The background is plain white, emphasizing the absurdity of the sticky note “suit.” Below, it’s labeled as a comedy from Mike Judge, and the film’s title is in large red letters.
Office Space (1999)
Poster for But I’m a Cheerleader, featuring Natasha Lyonne front and center in a bright pink dress and long pink gloves, looking uncertain and expressionless against a surreal blue-sky background. Around her, multiple cheerleaders in red uniforms float or tumble mid-air in exaggerated poses. The title is in bold green letters, tilted playfully: “But I’m a Cheerleader.” A tagline at the bottom reads: “A Comedy of Sexual Disorientation.” The poster also notes the film’s selection at Sundance and Toronto Film Festivals.
But I’m a Cheerleader (1999)
Poster for What About Bob? featuring cartoonish, oversized silhouettes of Bill Murray and Richard Dreyfuss playfully tugging at each other. Below the silhouettes, the live-action characters shake hands awkwardly—Bill Murray in casual blue athletic wear and Richard Dreyfuss in a suit. The tagline reads: “Bob’s a special kind of friend. The kind that drives you crazy.” The film’s title is displayed in bold red letters, emphasizing the comedic and offbeat tone.
What About Bob? (1991)
Poster for The Shawshank Redemption showing a man (Andy Dufresne) standing in the pouring rain, arms stretched wide and face turned upward in a moment of emotional release and liberation. Warm, dramatic lighting cuts through the storm. Above him is the tagline: “Fear can hold you prisoner. Hope can set you free.” The title and cast names (Tim Robbins and Morgan Freeman) appear at the bottom.
The Shawshank Redemption (1994)
Poster for The Hours featuring three women: Meryl Streep with glasses and a shawl holding a bouquet of roses, Julianne Moore with curled red hair and a green dress, and Nicole Kidman with a somber expression, wearing muted colors and a delicate necklace. Their portraits are tightly framed, visually linked yet emotionally distinct, hinting at different time periods. The tagline and credits are minimal, emphasizing the actors’ names and the film’s contemplative tone.
The Hours (2002)
Poster for Awakenings featuring a vast, tranquil expanse of water under a pale blue sky. In the distance, one man stands on a dock while another balances triumphantly on the surface of the water with arms raised. The tagline reads, “There is no such thing as a simple miracle.” The names Robert De Niro and Robin Williams appear at the top, with the film noted as being based on a true story.
Awakenings (1990)
Poster for The Truman Show showing a massive curved digital billboard on a skyscraper with a close-up of Jim Carrey’s character, Truman, smiling in his sleep. Above him, the word “LIVE” glows in red, and below, the day count reads “DAY 10,909.” A huge crowd fills the city square beneath, suggesting that Truman’s life is being broadcast 24/7. The tagline reads: “On the air. Unaware.”
The Truman Show (1998)
Poster for Fifty Shades of Grey featuring a black-and-white image of a man in a tailored suit, seen from the shoulders down. He grips a textured necktie suggestively in one hand. The tagline includes the release date “Valentine’s Day 2015,” reinforcing the romantic and erotic themes of the film. The overall tone is sleek, minimalist, and provocative.
Fifty Shades of Grey (2015)
Poster for Unsane featuring Claire Foy’s face layered with a translucent second image of herself, evoking confusion and psychological instability. The image is mirrored vertically, and the tagline “Is she or isn’t she?” reinforces the film’s theme of paranoia and unreliable perception. The text appears both right-side up and upside-down, heightening the sense of disorientation.
Unsane (2018)
Poster for The Rocky Horror Picture Show featuring Tim Curry in costume as Dr. Frank-N-Furter, reclining on oversized red lips against a black background. The film’s dripping red title font and the tagline “Give Yourself Over to Absolute Pleasure” evoke its bold, campy, and transgressive cult-classic style.
The Rocky Horror Picture Show (1975)
Poster for Still Alice featuring Julianne Moore seated and gazing pensively, with her hand raised slightly as if lost in thought. The warm, muted background and subdued color palette reflect the film’s introspective tone. The title appears in minimalist white text above her, emphasizing the personal nature of the story.
Still Alice (2014)
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