CinemaPsych Podcast

WHERE PSYCHOLOGY MEETS FILM

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Films tagged with: "Cognitive Psychology"

Three men—Jack Black, Steve Martin, and Owen Wilson—stand stacked in profile, each looking through binoculars in the same direction. A bird perches humorously on the binoculars of Martin’s character. The tagline reads “Everyone is searching for something.” The scene is bright and cheerful with a clear blue sky and green forest in the background, reflecting the film’s lighthearted tone.
The Big Year (2011)
A close-up poster of two lovers, played by Ewan McGregor and Eva Green, in an intimate embrace with their eyes closed, about to kiss. The tagline between them reads “Without love there is nothing.” The background and borders are deep red, enhancing the emotional and apocalyptic tone of the film. The Sundance Film Festival logo is also visible, signaling critical acclaim.
Perfect Sense (2011)
Poster for the romantic comedy 50 First Dates, showing Drew Barrymore and Adam Sandler sitting on a Hawaiian beach. Barrymore looks confused while Sandler, in a bright orange shirt, serenades her with a guitar. The tagline reads: “Imagine having to win over the girl of your dreams… every friggin’ day.”
50 First Dates (2004)
A sleek, orange-hued poster featuring an ensemble cast walking with confident expressions and stylish suits against a backdrop of Las Vegas neon lights. From left to right: Julia Roberts, Andy Garcia, Matt Damon, Brad Pitt (in sunglasses), and George Clooney, who leads the group. The title Ocean’s Eleven appears boldly in white at the center, with actors’ names listed above in a stacked formation.
Ocean’s Eleven (2001)
A moody, cosmic poster split vertically by a glowing light beam. On the left is Laurence Fishburne’s solemn face, lit with a green-blue hue. On the right, Casey Affleck appears in shadow with a serious, contemplative expression. The tagline running down the center reads, “Some fears are darker than space.” The bottom lists the release date: August 30, and includes the names of the actors and the film title Slingshot.
Slingshot (2024)
Three storm chasers — a woman, a man in a red plaid shirt, and a man in a white button-up — stare in awe and fear as a massive tornado barrels through a windswept field behind them. The storm looms large under a dark, churning sky. The title Twisters appears in bold white, jagged lettering above the tornado.
Twisters (2024)
A massive tornado dominates the dusky sky, touching down with violent force on a rural landscape. In the foreground, two people — a man and woman — run from the storm, their expressions tense and urgent. The tagline reads: “Don’t breathe. Don’t look back.” Below the title, it says: “The Dark Side of Nature.”
Twister (1996)
An illustrated poster shows three characters — a grumpy-looking older man in a sweater vest, a bandaged student with curly hair, and a stern woman holding folded laundry — standing solemnly over a shattered Christmas tree ornament. The broken red glass hints at both holiday chaos and emotional upheaval. The tagline reads “Discomfort And Joy.”
The Holdovers (2023)
A vintage illustrated poster features Ingrid Bergman looking anxiously over her shoulder, with Charles Boyer’s character looming closely behind her, his expression unreadable. Another man, in shadow and top hat, watches intently. The title Gaslight burns bright in red and yellow beneath the tagline: “Strange drama of a captive sweetheart!”
Gaslight (1944)
A colorful cluster of animated emotion characters crowd together, each showing a distinct feeling — Joy smiles brightly in the center, surrounded by Anger, Disgust, Sadness, Fear, and new characters like Anxiety and Envy. The tagline “Make Room for New Emotions” hints at the sequel’s expanded emotional cast.
Inside Out 2 (2024)
A dramatic poster shows James Stewart peering through binoculars, with Grace Kelly beside him, set against the backdrop of a red-brick apartment complex. The windows reveal glimpses of neighbors’ lives, hinting at voyeurism and mystery. Alfred Hitchcock’s name dominates the design, evoking suspense and psychological tension.
Rear Window (1954)
Tom Cruise stands confidently in front of a fighter jet at sunset, dressed in full flight gear and holding his iconic helmet. The golden light casts a heroic glow, reinforcing themes of courage, legacy, and high-stakes aviation. Bold white lettering displays the title “Top Gun: Maverick,” flanked by wing-like graphics, anchoring the sequel’s connection to the original.
Top Gun: Maverick (2022)
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