Films tagged with: "Cognitive Psychology"

Poster for What About Bob? featuring cartoonish, oversized silhouettes of Bill Murray and Richard Dreyfuss playfully tugging at each other. Below the silhouettes, the live-action characters shake hands awkwardly—Bill Murray in casual blue athletic wear and Richard Dreyfuss in a suit. The tagline reads: “Bob’s a special kind of friend. The kind that drives you crazy.” The film’s title is displayed in bold red letters, emphasizing the comedic and offbeat tone.
What About Bob? (1991)
Poster for the 1997 remake of 12 Angry Men, showing all twelve jurors in a tense moment around a conference table in a dimly lit deliberation room. Below the scene are headshots of each juror in a grid, highlighting their diverse expressions and demographics. The title is displayed in bold serif font beneath the images.
12 Angry Men (1997)
Poster for 12 Angry Men showing a yellow background divided by a vertical knife, symbolizing tension and judgment. At the top, twelve men in white shirts argue intensely, representing the jury. The text reads, “LIFE IS IN THEIR HANDS — DEATH IS ON THEIR MINDS!” and “It explodes like 12 sticks of dynamite!” At the bottom is Henry Fonda’s face beside a courtroom sketch of the jury.
12 Angry Men (1957)
Poster for The Shawshank Redemption showing a man (Andy Dufresne) standing in the pouring rain, arms stretched wide and face turned upward in a moment of emotional release and liberation. Warm, dramatic lighting cuts through the storm. Above him is the tagline: “Fear can hold you prisoner. Hope can set you free.” The title and cast names (Tim Robbins and Morgan Freeman) appear at the bottom.
The Shawshank Redemption (1994)
Poster for The Hours featuring three women: Meryl Streep with glasses and a shawl holding a bouquet of roses, Julianne Moore with curled red hair and a green dress, and Nicole Kidman with a somber expression, wearing muted colors and a delicate necklace. Their portraits are tightly framed, visually linked yet emotionally distinct, hinting at different time periods. The tagline and credits are minimal, emphasizing the actors’ names and the film’s contemplative tone.
The Hours (2002)
Poster for The Truman Show showing a massive curved digital billboard on a skyscraper with a close-up of Jim Carrey’s character, Truman, smiling in his sleep. Above him, the word “LIVE” glows in red, and below, the day count reads “DAY 10,909.” A huge crowd fills the city square beneath, suggesting that Truman’s life is being broadcast 24/7. The tagline reads: “On the air. Unaware.”
The Truman Show (1998)
Poster for Still Alice featuring Julianne Moore seated and gazing pensively, with her hand raised slightly as if lost in thought. The warm, muted background and subdued color palette reflect the film’s introspective tone. The title appears in minimalist white text above her, emphasizing the personal nature of the story.
Still Alice (2014)
Poster for Pleasantville featuring a vibrant rainbow cutting across a white background, ending at a colorized couple kissing inside the otherwise black-and-white letters of the title. The tagline reads: “Nothing is as simple as Black and White,” referencing the film’s transformation from 1950s-style monochrome to modern color.
Pleasantville (1998)
Poster for Rain Man featuring Dustin Hoffman and Tom Cruise walking down a tree-lined road. Hoffman wears a beige jacket and looks contemplative, while Cruise, in sunglasses and a black blazer, carries a leather bag. The image captures the film’s journey motif and emotional tone of connection and discovery.
Rain Man (1988)
Poster for The Lighthouse, presented in stark black and white, featuring Willem Dafoe and Robert Pattinson in period sea captain uniforms, flanking a towering lighthouse with ominous seagulls circling overhead. The tagline “Keeping secrets are ye?” sets the eerie tone for this psychological thriller.
The Lighthouse (2019)
Poster for X-Men featuring a large metallic “X” with a glowing slit at the center, revealing silhouettes of the mutant team, led by Wolverine with claws extended. The tagline above reads, “Trust a few. Fear the rest,” capturing the film’s themes of secrecy, power, and prejudice.
X-Men (2000)
Poster for The Shining featuring a stark yellow background with black block text spelling the title. The word “THE” is stylized with a halftone image of a frightened face emerging from within the letters. Above it reads the tagline: “A masterpiece of modern horror.” The design evokes a sense of dread with minimalist boldness.
The Shining (1980)