CinemaPsych Podcast

WHERE PSYCHOLOGY MEETS FILM

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Films tagged with: "family dynamics"

Three men—Jack Black, Steve Martin, and Owen Wilson—stand stacked in profile, each looking through binoculars in the same direction. A bird perches humorously on the binoculars of Martin’s character. The tagline reads “Everyone is searching for something.” The scene is bright and cheerful with a clear blue sky and green forest in the background, reflecting the film’s lighthearted tone.
The Big Year (2011)
A joyful woman in a pink dress dances across a mountain meadow with a guitar case in one hand and a striped bag in the other. She’s surrounded by smiling children in yellow dresses running through the grass. A stern man in a tan jacket stands off to the side with mountains and a city in the background. Above them, the title The Sound of Music swirls with colorful musical notes, and the tagline reads “The Happiest Sound in All the World.”
The Sound of Music (1965)
Three storm chasers — a woman, a man in a red plaid shirt, and a man in a white button-up — stare in awe and fear as a massive tornado barrels through a windswept field behind them. The storm looms large under a dark, churning sky. The title Twisters appears in bold white, jagged lettering above the tornado.
Twisters (2024)
An illustrated poster shows three characters — a grumpy-looking older man in a sweater vest, a bandaged student with curly hair, and a stern woman holding folded laundry — standing solemnly over a shattered Christmas tree ornament. The broken red glass hints at both holiday chaos and emotional upheaval. The tagline reads “Discomfort And Joy.”
The Holdovers (2023)
A colorful cluster of animated emotion characters crowd together, each showing a distinct feeling — Joy smiles brightly in the center, surrounded by Anger, Disgust, Sadness, Fear, and new characters like Anxiety and Envy. The tagline “Make Room for New Emotions” hints at the sequel’s expanded emotional cast.
Inside Out 2 (2024)
The poster features Matt Damon and Robin Williams sitting together on a bench, both smiling warmly in a moment of connection. Set against a rich, golden autumnal background, Damon’s character appears relaxed and youthful, while Williams exudes wisdom and warmth. Text describes Will Hunting as “wildly charismatic” and “impossibly brilliant,” foreshadowing the film’s emotional and intellectual journey.
Good Will Hunting (1997)
The poster for Equilibrium shows Christian Bale and Taye Diggs standing side by side in sleek black trench coats, each holding pistols by their sides. The background features a stark futuristic setting with sharp lighting and metallic architecture. Between them, the tagline reads: “In a future where freedom is outlawed, outlaws will become heroes.” The atmosphere is intense and dystopian, emphasizing the film’s themes of control, emotion suppression, and rebellion.
Equilibrium (2002)
The poster for Boy Erased features a soft, warm-toned composition with three characters: Lucas Hedges centered and facing forward, framed by Nicole Kidman and Russell Crowe turned away in emotional poses. The background shows a lit cross-shaped pattern, suggesting a religious setting. The tagline reads: “Based On The Unforgettable True Story.” Praise and star ratings are quoted above. The title is in a classic serif font, and below are credits for cast and crew including Joel Edgerton as writer and director.
Boy Erased (2018)
A poster with a lime green background features three main characters: Paul Rudd stands solemnly with his hands in his pockets, facing left; a teenage boy in a wheelchair (played by Craig Roberts) turns slightly to look at a young woman (Selena Gomez), who stands with arms crossed, gazing right. The title is in large, playful script: “The Fundamentals of Caring,” with the tagline “Caring is a funny thing.” The film is branded as a Netflix Original and premiered at Sundance.
The Fundamentals of Caring (2016)
A kaleidoscopic and surreal poster for Everything Everywhere All at Once. In the center, Michelle Yeoh’s character stares upward with intensity, surrounded by swirling colors, googly eyes, and alternate versions of herself and others. The film’s title is prominently displayed in bold letters within a circular frame, with Chinese characters below. The chaotic composition suggests a multiverse of styles and experiences, blending action, fantasy, and absurdity.
Everything Everywhere All at Once (2022)
Poster for Room. A woman (Brie Larson) embraces a young boy (Jacob Tremblay) dressed in a raccoon-knit hat and plaid jacket. They are smiling lovingly at each other in front of a sky-blue backdrop shaped subtly like a room’s corner—representing the confined space central to the film. Above them is the tagline: “Love knows no boundaries.” The title ROOM is centered in a yellow box near the bottom, along with the note that it’s based on the best-selling novel.
Room (2015)
A stylized poster featuring Michael Fassbender (as Carl Jung), Keira Knightley (as Sabina Spielrein), and Viggo Mortensen (as Sigmund Freud). Their faces are dramatically lit, with the central figure of Knightley torn down the middle, visually separating Jung on the left and Freud on the right. The text reads: “Based on the true story of Jung, Freud and the patient who came between them.”
A Dangerous Method (2011)
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