Films tagged with: "family dynamics"

A silhouetted woman sits in a chair reading a letter against the backdrop of a large window glowing with warm sunset light. The window is framed with lace curtains, and a bird perches outside on the sill. The title “The Color Purple” appears in elegant white text above, with the tagline: “It’s about life. It’s about love. It’s about us.”
The Color Purple (1985)
Bright orange poster for The Lorax with a close-up of the character’s large yellow mustache and wide blue eyes. The tagline “From the creators of Despicable Me” appears at the top, and “Dr. Seuss’ The Lorax” is centered at the bottom.
The Lorax (2012)
Poster features a man in a suit with a cigarette for a head, pointing a lighter at the viewer. A button on his lapel reads “A Smoking Who’s Who Dinner Guest.” The title “THANK YOU FOR SMOKING” is bold and red, with the “O” stylized as a no-smoking symbol.
Thank You for Smoking (2005)
Movie poster for The Santa Clause featuring Tim Allen’s face inside a snow globe, looking surprised with a white beard and Santa hat. A child holds the globe and looks at it wide-eyed. The tagline reads, “This Christmas, the snow hits the fan.”
The Santa Clause (1994)
Poster for Temple Grandin featuring Claire Danes smiling in a cream-colored Western-style shirt adorned with cattle pins and embroidered stars. The background is a golden tan with red schematic designs. The tagline reads, “Autism gave her a vision. She gave it a voice.”
Temple Grandin (2010)
Poster for A.I. Artificial Intelligence, with a stark black background. The tagline reads: “David is 11 years old… His love is real. But he is not.” Below, the stylized title “A.I.” features the silhouette of a boy in the “A” and his reflection in the “I”, hinting at the film’s themes of artificial consciousness and emotional longing.
A.I. Artificial Intelligence (2001)
Classic film poster for The Philadelphia Story, featuring Katharine Hepburn reclining on Cary Grant’s lap, with James Stewart seated beside them, all looking amused. Bold yellow and red typography highlights the star-studded cast: Cary Grant, Katharine Hepburn, and James Stewart. A tagline reads: “The things they do among the playful rich — oh boy!”
The Philadelphia Story (1940)
Poster for Born on the Fourth of July featuring Tom Cruise’s face overlaid with the American flag. The tagline at the top reads, “A true story of innocence lost and courage found.” The film’s title and Cruise’s name are stylized with stars and stripes, reinforcing the themes of patriotism and personal struggle.
Born on the Fourth of July (1989)
Poster for Kinsey featuring a man (played by Liam Neeson) in a brown suit standing on a large printed sex survey. The words “Let’s talk about sex” appear above him, and the ground is covered with large, bold questions about sexual behavior, hinting at the groundbreaking nature of Alfred Kinsey’s research. The tagline and typography highlight the film’s focus on sexology and scientific inquiry into human sexuality.
Kinsey (2004)
Poster for But I’m a Cheerleader, featuring Natasha Lyonne front and center in a bright pink dress and long pink gloves, looking uncertain and expressionless against a surreal blue-sky background. Around her, multiple cheerleaders in red uniforms float or tumble mid-air in exaggerated poses. The title is in bold green letters, tilted playfully: “But I’m a Cheerleader.” A tagline at the bottom reads: “A Comedy of Sexual Disorientation.” The poster also notes the film’s selection at Sundance and Toronto Film Festivals.
But I’m a Cheerleader (1999)
Poster for What About Bob? featuring cartoonish, oversized silhouettes of Bill Murray and Richard Dreyfuss playfully tugging at each other. Below the silhouettes, the live-action characters shake hands awkwardly—Bill Murray in casual blue athletic wear and Richard Dreyfuss in a suit. The tagline reads: “Bob’s a special kind of friend. The kind that drives you crazy.” The film’s title is displayed in bold red letters, emphasizing the comedic and offbeat tone.
What About Bob? (1991)
Poster for The Hours featuring three women: Meryl Streep with glasses and a shawl holding a bouquet of roses, Julianne Moore with curled red hair and a green dress, and Nicole Kidman with a somber expression, wearing muted colors and a delicate necklace. Their portraits are tightly framed, visually linked yet emotionally distinct, hinting at different time periods. The tagline and credits are minimal, emphasizing the actors’ names and the film’s contemplative tone.
The Hours (2002)