Films tagged with: "gender"

Poster for The Matrix Reloaded featuring the three main characters—Trinity (Carrie-Anne Moss), Neo (Keanu Reeves), and Morpheus (Laurence Fishburne)—standing in a stone tunnel framed by digital rain made of green code. All wear sleek black leather and dark sunglasses, standing in confident, formidable stances. The film title “The Matrix Reloaded” appears above them in glowing green, stylized type.
The Matrix Reloaded (2003)
Poster for The Matrix featuring Neo (Keanu Reeves) front and center in a long black coat and sunglasses, holding a weapon. Behind him are Morpheus (Laurence Fishburne), Trinity (Carrie-Anne Moss), and another character, all dressed in black leather with futuristic styles. A digital rain of green code symbols falls in the background. The film’s title, The Matrix, is displayed in bold white and purple font below. Tagline: “On March 31st the fight for the future begins.”
The Matrix (1999)
Poster for Remember the Titans featuring a close-up of Denzel Washington’s face in warm golden tones, expressing seriousness and resolve. Below, the silhouette of a football player runs forward, arms outstretched. The tagline reads, “History is written by the winners.” The film’s title appears boldly beneath: Remember the Titans. A small Walt Disney logo sits above the title, and the release date is noted as “THE GAME BEGINS 9.29.00.”
Remember the Titans (2000)
Poster for Crash featuring a dramatic close-up of a man (Michael Peña) mid-scream, holding a young girl tightly in a protective embrace. The image is blurred at the edges, evoking urgency, trauma, and emotion. The title “Crash” is written in a cracked, white font, and the tagline below reads: “Moving at the speed of life, we are bound to collide with each other.”
Crash (2004)
Poster for The Hours featuring three women: Meryl Streep with glasses and a shawl holding a bouquet of roses, Julianne Moore with curled red hair and a green dress, and Nicole Kidman with a somber expression, wearing muted colors and a delicate necklace. Their portraits are tightly framed, visually linked yet emotionally distinct, hinting at different time periods. The tagline and credits are minimal, emphasizing the actors’ names and the film’s contemplative tone.
The Hours (2002)
Poster for Fifty Shades of Grey featuring a black-and-white image of a man in a tailored suit, seen from the shoulders down. He grips a textured necktie suggestively in one hand. The tagline includes the release date “Valentine’s Day 2015,” reinforcing the romantic and erotic themes of the film. The overall tone is sleek, minimalist, and provocative.
Fifty Shades of Grey (2015)
Poster for Unsane featuring Claire Foy’s face layered with a translucent second image of herself, evoking confusion and psychological instability. The image is mirrored vertically, and the tagline “Is she or isn’t she?” reinforces the film’s theme of paranoia and unreliable perception. The text appears both right-side up and upside-down, heightening the sense of disorientation.
Unsane (2018)
Poster for The Rocky Horror Picture Show featuring Tim Curry in costume as Dr. Frank-N-Furter, reclining on oversized red lips against a black background. The film’s dripping red title font and the tagline “Give Yourself Over to Absolute Pleasure” evoke its bold, campy, and transgressive cult-classic style.
The Rocky Horror Picture Show (1975)
Poster for Pleasantville featuring a vibrant rainbow cutting across a white background, ending at a colorized couple kissing inside the otherwise black-and-white letters of the title. The tagline reads: “Nothing is as simple as Black and White,” referencing the film’s transformation from 1950s-style monochrome to modern color.
Pleasantville (1998)
Poster for X-Men featuring a large metallic “X” with a glowing slit at the center, revealing silhouettes of the mutant team, led by Wolverine with claws extended. The tagline above reads, “Trust a few. Fear the rest,” capturing the film’s themes of secrecy, power, and prejudice.
X-Men (2000)
Poster for The Shining featuring a stark yellow background with black block text spelling the title. The word “THE” is stylized with a halftone image of a frightened face emerging from within the letters. Above it reads the tagline: “A masterpiece of modern horror.” The design evokes a sense of dread with minimalist boldness.
The Shining (1980)
Poster for Split showing a close-up of James McAvoy’s intense gaze, partially obscured by jagged cracks resembling shattered glass across the image. The tagline reads, “Kevin has 23 distinct personalities. The 24th is about to be unleashed,” highlighting the film’s psychological thriller premise about dissociative identity disorder.
Split (2016)