Films tagged with: "moral development"

An illustrated poster shows three characters — a grumpy-looking older man in a sweater vest, a bandaged student with curly hair, and a stern woman holding folded laundry — standing solemnly over a shattered Christmas tree ornament. The broken red glass hints at both holiday chaos and emotional upheaval. The tagline reads “Discomfort And Joy.”
The Holdovers (2023)
The poster features Matt Damon and Robin Williams sitting together on a bench, both smiling warmly in a moment of connection. Set against a rich, golden autumnal background, Damon’s character appears relaxed and youthful, while Williams exudes wisdom and warmth. Text describes Will Hunting as “wildly charismatic” and “impossibly brilliant,” foreshadowing the film’s emotional and intellectual journey.
Good Will Hunting (1997)
The illustrated poster for Blade Runner features Harrison Ford’s character Rick Deckard holding a gun, with sweat on his brow and a serious expression. Beside him is Sean Young’s character Rachael, elegantly smoking a cigarette. The background blends futuristic cityscapes, flying cars, and beams of light piercing through darkness. The tagline reads: “Man has made his match… now it’s his problem.” The title is bold in red and white, emphasizing the cyberpunk noir theme.
Blade Runner (1982)
Poster for Room. A woman (Brie Larson) embraces a young boy (Jacob Tremblay) dressed in a raccoon-knit hat and plaid jacket. They are smiling lovingly at each other in front of a sky-blue backdrop shaped subtly like a room’s corner—representing the confined space central to the film. Above them is the tagline: “Love knows no boundaries.” The title ROOM is centered in a yellow box near the bottom, along with the note that it’s based on the best-selling novel.
Room (2015)
Poster for Pulp Fiction, styled like a worn pulp magazine cover. Uma Thurman lies on a bed with a cigarette in hand, flanked by a pistol and pulp novel. The cast list appears on the left in bold yellow text against a distressed red and black background. The poster reads “Winner: Best Picture - 1994 Cannes Film Festival” and credits Quentin Tarantino as writer and director.
Pulp Fiction (1994)
Poster for The Truman Show showing a massive curved digital billboard on a skyscraper with a close-up of Jim Carrey’s character, Truman, smiling in his sleep. Above him, the word “LIVE” glows in red, and below, the day count reads “DAY 10,909.” A huge crowd fills the city square beneath, suggesting that Truman’s life is being broadcast 24/7. The tagline reads: “On the air. Unaware.”
The Truman Show (1998)
Poster for Pleasantville featuring a vibrant rainbow cutting across a white background, ending at a colorized couple kissing inside the otherwise black-and-white letters of the title. The tagline reads: “Nothing is as simple as Black and White,” referencing the film’s transformation from 1950s-style monochrome to modern color.
Pleasantville (1998)
Poster for A Clockwork Orange featuring Malcolm McDowell’s character, Alex, peering menacingly through a triangle while holding a knife. Below him stands a stylized, doll-like female figure. The tagline above reads: “Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
A Clockwork Orange (1971)