Films tagged with: "psychopathology"

Poster for Born on the Fourth of July featuring Tom Cruise’s face overlaid with the American flag. The tagline at the top reads, “A true story of innocence lost and courage found.” The film’s title and Cruise’s name are stylized with stars and stripes, reinforcing the themes of patriotism and personal struggle.
Born on the Fourth of July (1989)
Poster for What About Bob? featuring cartoonish, oversized silhouettes of Bill Murray and Richard Dreyfuss playfully tugging at each other. Below the silhouettes, the live-action characters shake hands awkwardly—Bill Murray in casual blue athletic wear and Richard Dreyfuss in a suit. The tagline reads: “Bob’s a special kind of friend. The kind that drives you crazy.” The film’s title is displayed in bold red letters, emphasizing the comedic and offbeat tone.
What About Bob? (1991)
Poster for The Hours featuring three women: Meryl Streep with glasses and a shawl holding a bouquet of roses, Julianne Moore with curled red hair and a green dress, and Nicole Kidman with a somber expression, wearing muted colors and a delicate necklace. Their portraits are tightly framed, visually linked yet emotionally distinct, hinting at different time periods. The tagline and credits are minimal, emphasizing the actors’ names and the film’s contemplative tone.
The Hours (2002)
Poster for Unsane featuring Claire Foy’s face layered with a translucent second image of herself, evoking confusion and psychological instability. The image is mirrored vertically, and the tagline “Is she or isn’t she?” reinforces the film’s theme of paranoia and unreliable perception. The text appears both right-side up and upside-down, heightening the sense of disorientation.
Unsane (2018)
Poster for The Lighthouse, presented in stark black and white, featuring Willem Dafoe and Robert Pattinson in period sea captain uniforms, flanking a towering lighthouse with ominous seagulls circling overhead. The tagline “Keeping secrets are ye?” sets the eerie tone for this psychological thriller.
The Lighthouse (2019)
Poster for X-Men featuring a large metallic “X” with a glowing slit at the center, revealing silhouettes of the mutant team, led by Wolverine with claws extended. The tagline above reads, “Trust a few. Fear the rest,” capturing the film’s themes of secrecy, power, and prejudice.
X-Men (2000)
Poster for The Shining featuring a stark yellow background with black block text spelling the title. The word “THE” is stylized with a halftone image of a frightened face emerging from within the letters. Above it reads the tagline: “A masterpiece of modern horror.” The design evokes a sense of dread with minimalist boldness.
The Shining (1980)
Poster for Fight Club featuring Brad Pitt holding a bright pink bar of soap labeled “FIGHT CLUB” in bold letters, with Edward Norton smirking in the background. The tagline at the bottom reads “Mischief. Mayhem. Soap.” The gritty, high-contrast style reflects the film’s rebellious and psychological themes.
Fight Club (1999)
Poster for Split showing a close-up of James McAvoy’s intense gaze, partially obscured by jagged cracks resembling shattered glass across the image. The tagline reads, “Kevin has 23 distinct personalities. The 24th is about to be unleashed,” highlighting the film’s psychological thriller premise about dissociative identity disorder.
Split (2016)
Poster for Scream featuring a black-and-white close-up of a woman’s wide, fearful eyes and a hand partially covering her face. The tagline reads, “Someone has taken their love of scary movies one step too far. Solving this mystery is going to be murder.” The cast names and title appear below in stark white against a dark background.
Scream (1996)
Poster for Red Dragon, featuring a massive, ominous close-up of Anthony Hopkins as Hannibal Lecter, his face half-lit in fiery tones. Below, Edward Norton walks down a shadowy corridor of brick archways. The tagline reads: “To understand the origin of evil, you must go back to the beginning.” Subtext describes it as “The first and most terrifying chapter in the Hannibal Lecter trilogy.”
Red Dragon (2002)
Poster for American Psycho showing a sharply dressed man in a suit and tie—Christian Bale—holding a large, gleaming knife that reflects his intense expression. The tagline “Killer looks.” appears above the blade, hinting at the film’s blend of charm, vanity, and violence.
American Psycho (2000)