CinemaPsych Podcast

WHERE PSYCHOLOGY MEETS FILM

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Films tagged with: "self-concept"

Poster for the romantic comedy 50 First Dates, showing Drew Barrymore and Adam Sandler sitting on a Hawaiian beach. Barrymore looks confused while Sandler, in a bright orange shirt, serenades her with a guitar. The tagline reads: “Imagine having to win over the girl of your dreams… every friggin’ day.”
50 First Dates (2004)
A colorful cluster of animated emotion characters crowd together, each showing a distinct feeling — Joy smiles brightly in the center, surrounded by Anger, Disgust, Sadness, Fear, and new characters like Anxiety and Envy. The tagline “Make Room for New Emotions” hints at the sequel’s expanded emotional cast.
Inside Out 2 (2024)
A bright and playful poster for Barbie featuring Margot Robbie in a pink gingham dress perched atop a giant pink-and-white “B” logo, gleefully waving. Below her, Ryan Gosling lounges with a smirk in a green-striped shorts set. The sky is bright blue behind them. The tagline reads, “She’s everything. He’s just Ken.” The poster exudes candy-colored, retro-inspired charm, suggesting a comedic and stylish take on the iconic doll’s world.
Barbie (2023)
A psychedelic poster featuring four teenagers from the 1970s flashing peace signs and goofy expressions. Text reads: “It was the last day of school in 1976 — A time they’d never forget (If only they could remember).” The title Dazed and Confused is written in bright yellow with a smiley face below.
Dazed and Confused (1993)
Movie poster for The Santa Clause featuring Tim Allen’s face inside a snow globe, looking surprised with a white beard and Santa hat. A child holds the globe and looks at it wide-eyed. The tagline reads, “This Christmas, the snow hits the fan.”
The Santa Clause (1994)
Poster for Bridget Jones’s Diary featuring Renée Zellweger front and center, holding a red diary and pen with a playful expression. On either side of her are Colin Firth and Hugh Grant, both gazing toward her. The tagline reads, “All women keep score… only the great ones put it in writing.”
Bridget Jones’s Diary (2001)
Poster for A.I. Artificial Intelligence, with a stark black background. The tagline reads: “David is 11 years old… His love is real. But he is not.” Below, the stylized title “A.I.” features the silhouette of a boy in the “A” and his reflection in the “I”, hinting at the film’s themes of artificial consciousness and emotional longing.
A.I. Artificial Intelligence (2001)
Classic film poster for The Philadelphia Story, featuring Katharine Hepburn reclining on Cary Grant’s lap, with James Stewart seated beside them, all looking amused. Bold yellow and red typography highlights the star-studded cast: Cary Grant, Katharine Hepburn, and James Stewart. A tagline reads: “The things they do among the playful rich — oh boy!”
The Philadelphia Story (1940)
Poster for But I’m a Cheerleader, featuring Natasha Lyonne front and center in a bright pink dress and long pink gloves, looking uncertain and expressionless against a surreal blue-sky background. Around her, multiple cheerleaders in red uniforms float or tumble mid-air in exaggerated poses. The title is in bold green letters, tilted playfully: “But I’m a Cheerleader.” A tagline at the bottom reads: “A Comedy of Sexual Disorientation.” The poster also notes the film’s selection at Sundance and Toronto Film Festivals.
But I’m a Cheerleader (1999)
Poster for What About Bob? featuring cartoonish, oversized silhouettes of Bill Murray and Richard Dreyfuss playfully tugging at each other. Below the silhouettes, the live-action characters shake hands awkwardly—Bill Murray in casual blue athletic wear and Richard Dreyfuss in a suit. The tagline reads: “Bob’s a special kind of friend. The kind that drives you crazy.” The film’s title is displayed in bold red letters, emphasizing the comedic and offbeat tone.
What About Bob? (1991)
Poster for The Hours featuring three women: Meryl Streep with glasses and a shawl holding a bouquet of roses, Julianne Moore with curled red hair and a green dress, and Nicole Kidman with a somber expression, wearing muted colors and a delicate necklace. Their portraits are tightly framed, visually linked yet emotionally distinct, hinting at different time periods. The tagline and credits are minimal, emphasizing the actors’ names and the film’s contemplative tone.
The Hours (2002)
Poster for The Truman Show showing a massive curved digital billboard on a skyscraper with a close-up of Jim Carrey’s character, Truman, smiling in his sleep. Above him, the word “LIVE” glows in red, and below, the day count reads “DAY 10,909.” A huge crowd fills the city square beneath, suggesting that Truman’s life is being broadcast 24/7. The tagline reads: “On the air. Unaware.”
The Truman Show (1998)
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