Films tagged with: "Social Psychology"

Poster for Unsane featuring Claire Foy’s face layered with a translucent second image of herself, evoking confusion and psychological instability. The image is mirrored vertically, and the tagline “Is she or isn’t she?” reinforces the film’s theme of paranoia and unreliable perception. The text appears both right-side up and upside-down, heightening the sense of disorientation.
Unsane (2018)
Poster for The Rocky Horror Picture Show featuring Tim Curry in costume as Dr. Frank-N-Furter, reclining on oversized red lips against a black background. The film’s dripping red title font and the tagline “Give Yourself Over to Absolute Pleasure” evoke its bold, campy, and transgressive cult-classic style.
The Rocky Horror Picture Show (1975)
Poster for Pleasantville featuring a vibrant rainbow cutting across a white background, ending at a colorized couple kissing inside the otherwise black-and-white letters of the title. The tagline reads: “Nothing is as simple as Black and White,” referencing the film’s transformation from 1950s-style monochrome to modern color.
Pleasantville (1998)
Poster for Rain Man featuring Dustin Hoffman and Tom Cruise walking down a tree-lined road. Hoffman wears a beige jacket and looks contemplative, while Cruise, in sunglasses and a black blazer, carries a leather bag. The image captures the film’s journey motif and emotional tone of connection and discovery.
Rain Man (1988)
Poster for The Lighthouse, presented in stark black and white, featuring Willem Dafoe and Robert Pattinson in period sea captain uniforms, flanking a towering lighthouse with ominous seagulls circling overhead. The tagline “Keeping secrets are ye?” sets the eerie tone for this psychological thriller.
The Lighthouse (2019)
Poster for X-Men featuring a large metallic “X” with a glowing slit at the center, revealing silhouettes of the mutant team, led by Wolverine with claws extended. The tagline above reads, “Trust a few. Fear the rest,” capturing the film’s themes of secrecy, power, and prejudice.
X-Men (2000)
Poster for The Shining featuring a stark yellow background with black block text spelling the title. The word “THE” is stylized with a halftone image of a frightened face emerging from within the letters. Above it reads the tagline: “A masterpiece of modern horror.” The design evokes a sense of dread with minimalist boldness.
The Shining (1980)
Poster for Fight Club featuring Brad Pitt holding a bright pink bar of soap labeled “FIGHT CLUB” in bold letters, with Edward Norton smirking in the background. The tagline at the bottom reads “Mischief. Mayhem. Soap.” The gritty, high-contrast style reflects the film’s rebellious and psychological themes.
Fight Club (1999)
Poster for Split showing a close-up of James McAvoy’s intense gaze, partially obscured by jagged cracks resembling shattered glass across the image. The tagline reads, “Kevin has 23 distinct personalities. The 24th is about to be unleashed,” highlighting the film’s psychological thriller premise about dissociative identity disorder.
Split (2016)
Poster for Eternal Sunshine of the Spotless Mind, featuring Jim Carrey’s character looking upward from the bottom of the frame while Kate Winslet and Carrey lie side by side on a cracked, icy surface above. The tagline reads, “You can erase someone from your mind. Getting them out of your heart is another story,” reflecting the film’s themes of memory and love.
Eternal Sunshine of the Spotless Mind (2004)
Poster for Scream featuring a black-and-white close-up of a woman’s wide, fearful eyes and a hand partially covering her face. The tagline reads, “Someone has taken their love of scary movies one step too far. Solving this mystery is going to be murder.” The cast names and title appear below in stark white against a dark background.
Scream (1996)
Poster for Red Dragon, featuring a massive, ominous close-up of Anthony Hopkins as Hannibal Lecter, his face half-lit in fiery tones. Below, Edward Norton walks down a shadowy corridor of brick archways. The tagline reads: “To understand the origin of evil, you must go back to the beginning.” Subtext describes it as “The first and most terrifying chapter in the Hannibal Lecter trilogy.”
Red Dragon (2002)