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Episode 114: If We’re Going to Do Homages, Let’s Do Psych Ones — High Anxiety (1977) with Ed Hansen
Join Alex and friend of the show Dr. Ed Hansen as they discuss the delightfully silly and usefully psychological High Anxiety (1977), Mel Brooks’ send-up to the master filmmaker Alfred Hitchcock. The film stars Brooks as Dr. Richard Thorndyke, a world-renowned psychiatrist who begins a new career at the Psycho-Neurotic Institute for the Very, Very Nervous. Joining him are his normal contributors, including Cloris Leachman, Harvey Korman, and Madeline Kahn. When Thorndyke is framed for murder, he must use all the Hitchcockian tools at his disposal to clear his name. Of course, no discussion of Hitchcock films can be made without a discussion of Freud, as well as the use of the term “High Anxiety”, using humor as a means to cope with anxiety, the role of suspense to build a crescendo of anxiety, and a brief foray into institutionalization and its foibles.…
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Episode 111: But What if He WAS His Mother, Rather Than Just Obsessed? Psycho (1960)
Join Alex in a solo episode as he explores the more overt mother obsession themes in Hitchcock’s Psycho (1960). The film released two years after Hitchcock’s Vertigo, which had subtler mother obsession themes. In this film, which stars Janet Leigh as Marion Crane and Anthony Perkins as Norman Bates, Hitchcock specifically smacks the audience over the head with the overt Oedipal complex and Freudian themes. Hailed as a masterpiece in its own right, Psycho is considered to be Hitchcock’s first horror movie, with a insane lasting cultural impact, the least of which the shrieking violins. The discussion is split into two broad parts: the first explores the Freudian themes in a historical context, as a sort of companion follow-up to the previous episode on Vertigo, and the second part latches onto the psychiatrist’s monologue at the end the film as a closer interpretation to what a modern clinical psychologist might assess and analyze within the context of the film’s plot.…
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Episode 110: There’s Nothing Like a Freudian Obsession of Mother — Vertigo (1958) with Daniel Kieckhefer
Join Alex and film studies professor Daniel Kieckhefer as they explore the deeper meaning in Alfred Hitchcock’s masterpiece Vertigo (1958). The film stars James Stewart as a boyish former SFPD detective, haunted by a near-death experience that leaves him with extreme vertigo. He’s called on as a private detective to investigate a woman, played by Kim Novak, who is seemingly possessed by a dead relative. This paper-thin mystery (as the critics at the time called it) is not what Hitchcock wanted audiences to pay attention to, however; as Daniel explains, this is classic Freudian Oedipal complex. The duo explore the explanation from a historical lens, both from a filmmaking and a clinical psychology perspective.…
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Episode 109: Grief and Guilt Can Take You on a Journey into Darkness — Herman (2025) with Dir. Andrew Vogel
Join Alex and filmmaker Andrew Vogel, director of the new psychological horror/thriller film, Herman (2025), as they discuss the themes and psychological concepts found within his directorial debut! The film follows a harrowing evening experienced by the titular character, Herman, played by Colin Ward. Herman is dealing with the grief and guilt losing his wife 40 years ago and it manifests as some form of darkness. The pair discuss these topics from a psychological perspective, including how religious psychology plays a role, as well as psychosis as meaning-making rather than a mental disorder. There’s a lot up to audience interpretation and Alex has a field day thinking up various ideas to prod the filmmaker!…
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Episode 102: Hitchcock, Freudian Theory, and the Perfect Murder — Strangers on a Train (1951) with Brooke Cannon
Join Alex and guest host Dr. Brooke Cannon as they explore one of Alfred Hitchcock’s brilliant thrillers, Strangers on a Train (1951). The film stars Farley Granger as a tennis pro, Guy Haines, who meets stranger Bruno Antony on… you guessed it, a train! Bruno hates his dad, Guy wants to divorce his wife, and well, Bruno tinks they are going to share a pair of murders — criss-cross! Intrigue erupts as Bruno follows through, but Guy thought he was joking. The episode explores the Freudian theory Hitchcock was a fan of, along with the Dark Triad personality theory. The hosts also jump into film analysis mode when discussing their favorite scenes.…
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Episode 041: If Freud is the Butt of the Jokes, What Does it Mean? What About Bob (1991) with Jordan Wagge
Join Alex and returning guest host Dr. Jordan Wagge (BlueSky: @jorowags.bsky.social) as they take a closer look at the goofy Bill Murray comedy What About Bob? (1991). This Frank Oz classic that also stars Richard Dreyfuss as Dr. Leo Marvin is a wild ride in anxiety, therapy, and Freud jokes! Alex and Jordan officially start the Dr. Leo Marvin Haters Club and decide he is one of the worst people — not just therapist — in the world. But remember, don’t think too hard about the psych portrayal in the movie, it’s a comedy!
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