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Episode 114: If We’re Going to Do Homages, Let’s Do Psych Ones — High Anxiety (1977) with Ed Hansen
Join Alex and friend of the show Dr. Ed Hansen as they discuss the delightfully silly and usefully psychological High Anxiety (1977), Mel Brooks’ send-up to the master filmmaker Alfred Hitchcock. The film stars Brooks as Dr. Richard Thorndyke, a world-renowned psychiatrist who begins a new career at the Psycho-Neurotic Institute for the Very, Very Nervous. Joining him are his normal contributors, including Cloris Leachman, Harvey Korman, and Madeline Kahn. When Thorndyke is framed for murder, he must use all the Hitchcockian tools at his disposal to clear his name. Of course, no discussion of Hitchcock films can be made without a discussion of Freud, as well as the use of the term “High Anxiety”, using humor as a means to cope with anxiety, the role of suspense to build a crescendo of anxiety, and a brief foray into institutionalization and its foibles.…
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Episode 111: But What if He WAS His Mother, Rather Than Just Obsessed? Psycho (1960)
Join Alex in a solo episode as he explores the more overt mother obsession themes in Hitchcock’s Psycho (1960). The film released two years after Hitchcock’s Vertigo, which had subtler mother obsession themes. In this film, which stars Janet Leigh as Marion Crane and Anthony Perkins as Norman Bates, Hitchcock specifically smacks the audience over the head with the overt Oedipal complex and Freudian themes. Hailed as a masterpiece in its own right, Psycho is considered to be Hitchcock’s first horror movie, with a insane lasting cultural impact, the least of which the shrieking violins. The discussion is split into two broad parts: the first explores the Freudian themes in a historical context, as a sort of companion follow-up to the previous episode on Vertigo, and the second part latches onto the psychiatrist’s monologue at the end the film as a closer interpretation to what a modern clinical psychologist might assess and analyze within the context of the film’s plot.…
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Episode 110: There’s Nothing Like a Freudian Obsession of Mother — Vertigo (1958) with Daniel Kieckhefer
Join Alex and film studies professor Daniel Kieckhefer as they explore the deeper meaning in Alfred Hitchcock’s masterpiece Vertigo (1958). The film stars James Stewart as a boyish former SFPD detective, haunted by a near-death experience that leaves him with extreme vertigo. He’s called on as a private detective to investigate a woman, played by Kim Novak, who is seemingly possessed by a dead relative. This paper-thin mystery (as the critics at the time called it) is not what Hitchcock wanted audiences to pay attention to, however; as Daniel explains, this is classic Freudian Oedipal complex. The duo explore the explanation from a historical lens, both from a filmmaking and a clinical psychology perspective.…
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Episode 103: Finding Love, Family, & Metaphorical Food Through Psychodynamic Therapy — Antwone Fisher (2002) with Katherine Marshall Woods
Join Alex and guest host Dr. Katherine Marshall Woods as they explore the psychodynamic themes in Denzel Washington’s directorial debut, Antwone Fisher (2002). The film also stars Washington, and in his Hollywood debut, Derek Luke plays the titular character. The film was based on the real Fisher’s autobiography, Finding Fish (2001), and is about a man with anger issues on a hair trigger. But as the two psychologists explore in this episode, perhaps its because he’s hungry for family, for a place of belonging, and to find those folks who won’t abandon him like his early family. It’s an engaging story and an even better analysis.…
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Episode 102: Hitchcock, Freudian Theory, and the Perfect Murder — Strangers on a Train (1951) with Brooke Cannon
Join Alex and guest host Dr. Brooke Cannon as they explore one of Alfred Hitchcock’s brilliant thrillers, Strangers on a Train (1951). The film stars Farley Granger as a tennis pro, Guy Haines, who meets stranger Bruno Antony on… you guessed it, a train! Bruno hates his dad, Guy wants to divorce his wife, and well, Bruno tinks they are going to share a pair of murders — criss-cross! Intrigue erupts as Bruno follows through, but Guy thought he was joking. The episode explores the Freudian theory Hitchcock was a fan of, along with the Dark Triad personality theory. The hosts also jump into film analysis mode when discussing their favorite scenes.…