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Episode 111: But What if He WAS His Mother, Rather Than Just Obsessed? Psycho (1960)
Join Alex in a solo episode as he explores the more overt mother obsession themes in Hitchcock’s Psycho (1960). The film released two years after Hitchcock’s Vertigo, which had subtler mother obsession themes. In this film, which stars Janet Leigh as Marion Crane and Anthony Perkins as Norman Bates, Hitchcock specifically smacks the audience over the head with the overt Oedipal complex and Freudian themes. Hailed as a masterpiece in its own right, Psycho is considered to be Hitchcock’s first horror movie, with a insane lasting cultural impact, the least of which the shrieking violins. The discussion is split into two broad parts: the first explores the Freudian themes in a historical context, as a sort of companion follow-up to the previous episode on Vertigo, and the second part latches onto the psychiatrist’s monologue at the end the film as a closer interpretation to what a modern clinical psychologist might assess and analyze within the context of the film’s plot.…
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Episode 110: There’s Nothing Like a Freudian Obsession of Mother — Vertigo (1958) with Daniel Kieckhefer
Join Alex and film studies professor Daniel Kieckhefer as they explore the deeper meaning in Alfred Hitchcock’s masterpiece Vertigo (1958). The film stars James Stewart as a boyish former SFPD detective, haunted by a near-death experience that leaves him with extreme vertigo. He’s called on as a private detective to investigate a woman, played by Kim Novak, who is seemingly possessed by a dead relative. This paper-thin mystery (as the critics at the time called it) is not what Hitchcock wanted audiences to pay attention to, however; as Daniel explains, this is classic Freudian Oedipal complex. The duo explore the explanation from a historical lens, both from a filmmaking and a clinical psychology perspective.…